"Emperor Jones" is a play written by Eugene O’Neill in 1920. The play is written in expressionistic style, which is a theatrical style that emphasizes the inner feelings and thoughts of characters rather than their external reality. In "Emperor Jones," the main character’s descent into madness is portrayed through a series of surreal and symbolic scenes that reflect his psychological state. The play is also notable for its use of African American vernacular and its exploration of themes related to race and power.

Oedipus Rex was written in the style of ancient Greek tragedy. This style is characterized by the use of a chorus, which comments on the action of the play and provides a moral perspective, and the presence of a tragic hero who experiences a downfall due to a tragic flaw or error in judgment.

The play reflects this style in several ways. Firstly, it features a chorus of Theban elders who comment on the action of the play and provide a moral perspective. Secondly, the play’s protagonist, Oedipus, is a tragic hero who experiences a downfall due to his tragic flaw of hubris, or excessive pride. Finally, the play explores themes of fate, free will, and the relationship between the individual and the state, which are common themes in ancient Greek tragedy.

While Oedipus Rex is primarily a work of ancient Greek tragedy, it also contains elements of other theatrical styles. For example, the play features elements of Greek mythology, which was a common source of inspiration for ancient Greek drama. Additionally, the play’s use of dramatic irony, where the audience knows more than the characters on stage, is a technique that is also found in other theatrical styles.

Macbeth was written in the style of Shakespearean tragedy. This style is characterized by the tragic flaw of the protagonist, the presence of supernatural elements, and a sense of inevitability leading to the tragic ending. Macbeth reflects this style in several ways.

Firstly, the tragic flaw of Macbeth is his ambition, which leads him to commit murder and ultimately leads to his downfall. This is a common theme in Shakespearean tragedy, where the protagonist’s own flaws and weaknesses lead to their tragic ending.

Secondly, the presence of supernatural elements is also a hallmark of Shakespearean tragedy. In Macbeth, the witches and their prophecies play a significant role in the plot, and the appearance of Banquo’s ghost adds to the sense of the supernatural.

Finally, the sense of inevitability leading to the tragic ending is also present in Macbeth. Despite Macbeth’s attempts to avoid his fate, the prophecies of the witches come true and he is ultimately defeated.

While Macbeth is primarily a Shakespearean tragedy, it also has elements of other theatrical styles. For example, the use of soliloquies and asides is a characteristic of Elizabethan drama, which was popular during Shakespeare’s time. Additionally, the use of blank verse and iambic pentameter is a hallmark of Shakespeare’s writing style, which is distinct from other theatrical styles.

Oedipus Rex was written in the style of ancient Greek tragedy. This style is characterized by the use of a chorus, which comments on the action of the play and provides a moral perspective. The play also follows the three unities of time, place, and action, meaning that the action takes place in a single location over the course of a single day.

The play reflects the style of ancient Greek tragedy in several ways. For example, the chorus provides commentary on the action of the play and offers a moral perspective. Additionally, the play explores the concept of fate and the tragic consequences of attempting to avoid one’s destiny.

While Oedipus Rex is primarily a Greek tragedy, it also has elements of other styles. For example, the play includes elements of a detective story, as Oedipus attempts to uncover the truth about his past. Additionally, the play explores the psychological complexity of its characters, which is a characteristic of modern drama. However, these elements do not detract from the play’s overall adherence to the style of ancient Greek tragedy.